Laux Kreler, c. 1486-1552, Goldsmith 1520

This silver medal portraying Laux Kreler, a goldsmith, was created by Hans Kels the Younger around 1522. Immediately noticeable is the stark profile of Kreler, set against the circular boundary of the medal. This design choice emphasizes form over depth, characteristic of the early Renaissance interest in classical motifs, yet rendered with a Northern European realism. The inscription, meticulously etched, frames Kreler's image, creating a semiotic system where text and image converge to establish identity and status. The material itself, silver, is not merely a medium but a signifier of wealth and permanence, reflecting Kreler's professional standing. Consider how Kels uses line and texture to define Kreler's features. The sharp, precise lines delineate his profile, while the textured beard and clothing add a layer of complexity. The medal functions as both a portrait and a statement about the subject's place within society. It's a fascinating intersection of art and social identity, captured in a small, enduring form.