[no title] by  Ian Breakwell

[no title] 1983

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Dimensions: image: 302 x 210 mm

Copyright: © The estate of Ian Breakwell | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Ian Breakwell’s piece, which lacks a formal title, captures a scene outside a Leeds fashion shop on September 2nd, 1978. The photograph, combined with Breakwell’s descriptive text, offers a vignette frozen in time. Editor: It's evocative, isn’t it? The grainy image and handwritten text create a voyeuristic feeling, like a snatched moment of urban alienation. Curator: Absolutely. Breakwell often explored social issues through his art. The woman’s interaction with the mannequin blurs the lines between reality and artifice, raising questions about identity and objectification within consumer culture. Editor: I agree. Looking at the cultural context of late 70s Britain, there was a growing critique of consumerism and its impact on female identity. The photograph and the text combine to amplify the uncanny nature of display and the female form. Curator: I think it really encapsulates a particular moment in British social history, the anxieties and aesthetics of the time. Editor: A captivating snapshot. One that has me thinking about the ways in which urban life and commercial culture interact.

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tate 1 day ago

http://www.tate.org.uk/art/artworks/breakwell-no-title-p77039

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tate 1 day ago

This series of screenprints is based on pages from diaries the artist has kept since 1965. They include photos, magazine cuttings and drawings as well as writing. Breakwell said his diaries record 'the side-events of daily life, by turns mundane, curious, bleak, erotic, tender, vicious, cunning, stupid, ambiguous, absurd, as observed by a personal witness'. Gallery label, September 2004