Boats Returning from the Open Sea to Shinagawa- Actor Ichimura Kakitsu IV as Akatsuki Hoshigorō Possibly 1865 - 1867
print, ink, woodblock-print
portrait
ukiyo-e
japan
ink
woodblock-print
orientalism
genre-painting
Dimensions: 15 1/4 × 10 1/2 in. (38.74 × 26.67 cm) (sheet, vertical ōban)
Copyright: Public Domain
Toyohara Kunichika’s woodblock print presents Ichimura Kakitsu IV as Akatsuki Hoshigorō, capturing a moment rich with symbolic weight. The cherry blossom motif, prominently displayed, evokes the transient nature of life, a concept deeply embedded in Japanese culture. This echoes the samurai’s acceptance of mortality, a readiness to face death with honor. Yet, observe how the cherry blossom's delicate beauty belies its powerful association with warfare and the fleeting nature of existence, akin to a flower blooming briefly before scattering in the wind. In earlier Chinese art, similar floral motifs symbolized feminine beauty and ephemeral joy. Here, it has evolved, intertwined with the samurai ethos, and resonates with a melancholic acceptance of fate. Consider the actor's somber expression; it invites us to contemplate the emotional burden of duty and sacrifice, a shared human experience that transcends cultural boundaries. It’s a visual echo, reminiscent of ancient tragic figures, compelling us to confront our own understanding of mortality and honor. This work, therefore, is not just a portrait but a profound exploration of cultural memory.
Comments
Since the 17th century, The Eight Views–originally referring to scenic spots around the Chinese Xiao and Xiang Rivers–has been a well-established theme in Japanese art. Here, the eight locales are taken from famous places in the city of Edo (present-day Tokyo) and are juxtaposed with popular actors in the roles of well-known thieves and robbers. Kabuki plays on the underworld were popular during the mid-19th century, especially during the hot summer months when this series was put on the market, as the storylines were meant to give viewers a chill.
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