Cup with cover 19th century

Curator: And now, we're looking at a gilded "Cup with Cover," a metalwork sculpture attributed to Hans Jamnitzer, dating to the 19th century. It resides here at the Metropolitan Museum of Art. Editor: It screams "LOOK AT ME!" doesn’t it? Over the top, but dazzling. It feels like a goblet fit for a king, gleaming with pure… well, what is it made of? Curator: Primarily gold, fashioned with techniques befitting both Mannerist and Baroque aesthetics, showing incredible virtuosity in its execution. Editor: Right! That explains why it feels like a historical clash. The cup seems so... intentional, the countless figures are trying to say something. I wonder what stories they want to share. Curator: Many see in such pieces the visual language of power and status. These aren’t merely decorative objects; they carry symbolic weight. Each figure and flourish a carefully considered emblem, linking the owner to classical ideals. Editor: I can see that. It feels very... curated. Like every inch is saying something about wealth and lineage. It almost feels too perfect. It has a chilling effect, it feels impersonal. Does this thing even function as a cup? Curator: Probably. Although I doubt it was intended for daily use. The gold likely would have indicated royal ownership and therefore use at incredibly exclusive events or ceremonies. As you pointed out, the workmanship is very precious. Editor: Makes sense. Imagine accidentally knocking that over after a glass of wine – instant history! Although if you possessed the cup and spilled wine, there are probably 10 other golden chalices sitting on a shelf nearby. But jokes aside, recognizing those layered symbolic meanings adds depth. Curator: Precisely. It shows how artifacts transcend their function to become cultural artifacts reflecting values and worldviews of the cultures. Editor: Absolutely, makes me appreciate all the craftsmanship a bit more now too. Okay, on to the next masterpiece.