Allegorie op de Vrede van Utrecht, 1713 1713

Abraham Allard etched this “Allegory on the Peace of Utrecht” in 1713, capturing the symbolic figures that defined the era's aspirations for harmony. At its heart, the image presents a tableau filled with symbols of peace and prosperity. Doves, ancient emblems of peace since the time of Noah, nest below. A nude female figure, a personification of Peace or Venus, sits serenely amidst plentiful flora. The image is literally crowned with a garland. These motifs can be traced back to classical antiquity, where similar imagery was employed to symbolize concord and well-being. Yet, consider how the perception of such symbols evolves. For instance, while doves remain largely unchanged, the allegorical female form, deeply rooted in the Venus pudica, constantly reappears throughout art history, transformed by the changing ideals of beauty and virtue. The arrangement creates a powerful engagement with viewers, tapping into a collective desire for tranquility and a subconscious recognition of deeply embedded cultural symbols.