Head of Christ and Head of the Virgin c. 17th century

Editor: This study, "Head of Christ and Head of the Virgin" by Carlo Dolci, shows two faces in charcoal or chalk. They look so sad and resigned, like they know what's coming. What strikes you most when you look at this work? Curator: Isn't it fascinating? To me, it feels like Dolci is searching for something, not just depicting religious figures. Perhaps he's asking himself, "What does true faith *look* like?" It’s like catching a glimpse of him wrestling with the divine. Editor: That's beautiful. Curator: Yes, the rough sketchiness contrasts wonderfully with the incredibly polished paintings he's known for, don't you think? Almost a conversation between doubt and belief. Editor: I see what you mean! It’s like he is trying to grasp something beyond perfection. Curator: Exactly!