Batavia - Hotel des Indes & Molenvliet by Woodbury & Page

Batavia - Hotel des Indes & Molenvliet 1863 - 1866

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photography, gelatin-silver-print

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16_19th-century

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photography

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orientalism

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gelatin-silver-print

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cityscape

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realism

Dimensions: height 180 mm, width 240 mm

Copyright: Rijks Museum: Open Domain

Curator: This gelatin-silver print by Woodbury & Page, titled "Batavia - Hotel des Indes & Molenvliet," dates from 1863 to 1866 and gives us a glimpse into the cityscape. The location captured is now Jakarta. What strikes you first? Editor: The geometry is arresting. The way the road narrows to a vanishing point draws your eye deep into the image, while the buildings provide strong horizontal lines. There’s a certain austere stillness to it all. Curator: Batavia, as it was then, becomes a stage here. Hotels like the Hotel des Indes became not just places to stay, but symbols of Dutch colonial power and a staging ground for intercultural interactions, impacting local identity for decades to come. The wide-open street speaks volumes about planned urbanization and controlled movement, right? Editor: Indeed. The photograph, even with its documentary appearance, frames a very particular view. The stark contrast emphasizes the structural clarity, a visual encoding of hierarchy. But beyond this controlled aspect, one may read this city scene as charged by complex cultural and historical interplays. I observe visual evidence of cultural influence in the design of those tiled roofs... Curator: Exactly! This blend embodies creolization. Even in seemingly mundane objects—a hotel's architecture, street planning—you discern how different cultures influence one another, resulting in complex symbolic meaning. Also, don't disregard the horse-drawn carriage; this recurring motif carries profound symbolism tied to journeys of the privileged during the era. Editor: Good point. In terms of visual weight, the composition leans heavily towards order. What at first seems a simple rendering is more than meets the eye upon analysis. It captures more than buildings and streets. The cultural inscription is inescapable. Curator: Ultimately, in photographs like "Batavia - Hotel des Indes & Molenvliet," we are viewing not just scenes frozen in time but potent cultural artifacts, imbued with layered meaning. Editor: A constructed visual world opens up through its structure. Interesting.

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