1700 - 1765
Design for a Stage Set
Giovanni Maria Quaglio I (also known as Giulio Quaglio III)
1700 - 1765The Metropolitan Museum of Art
Metropolitan Museum of Art, New York, NYListen to curator's interpretation
Curatorial notes
Giovanni Maria Quaglio created this stage set design with pen and brown ink, and gray wash on paper. The architecture, though rendered on a flat surface, aims to evoke the weight and texture of massive stone construction. Quaglio has created an image of architecture that is not really architecture, a drawing intended as a guide for stagecraft. Think about all of the labor involved in the architecture being represented: quarrying the stone, shaping it, transporting it, assembling it into arches and vaults. He then translates that enormous amount of physical work into marks on paper. The drawing is a design, pointing towards another kind of labor – that of the stagehands and builders who would realize this vision as a temporary, theatrical space. By considering the making and materials, and the wider context of labor, we can understand the drawing not just as a design, but as a document of production.