Dimensions: support: 521 x 959 mm frame: 686 x 1125 x 65 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Here we have Samuel Scott's "A Morning, with a View of Cuckold’s Point." It’s an oil on canvas, depicting a maritime scene. What strikes me is how much activity there is, yet it feels so still. How do you see the social context influencing a work like this? Curator: Think about the rise of maritime power in 18th century Britain. Paintings like this weren’t just pretty scenes; they were visual assertions of commercial strength and national pride. Scott is documenting London's booming port, but also shaping a narrative of British dominance. Do you notice how the ships, though varied, all contribute to a sense of bustling activity? Editor: Yes, I see. So, it's not just a snapshot, but a carefully constructed image meant to project power. I hadn't considered that. Curator: Exactly! And remember, this piece would likely have been displayed in a home, reinforcing that ideology for its viewers. It’s fascinating how art intertwines with social and political currents. Editor: I will definitely look at these landscapes differently now. Thanks!
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http://www.tate.org.uk/art/artworks/scott-a-morning-with-a-view-of-cuckolds-point-n05450
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Cuckold’s Point marks a sharp bend on the Thames near the church of St Mary, Rotherhithe. The unusual name came from the post surmounted by a pair of horns, shown by the steps on the right. Horns indicated a cuckold: a man whose wife had cheated on him. This view and its pair, depicting Nine Elms, were designed to complement each other by showing river vistas looking west and east. They also show contrasting times of day: Cuckold’s Point is seen in a silvery morning light and Nine Elms in an evening glow. Gallery label, September 2024