Hans Haslum 1856 - 1857

Editor: So, this is Edvard Westerberg's lithograph "Hans Haslum," created sometime between 1856 and 1857. It's striking how detailed the face is for a print. It almost feels like you could know him. How would you interpret this piece within the context of portraiture at that time? Curator: Given its existence as a print, likely mass-produced, its accessibility speaks volumes. In the mid-19th century, the rise of lithography allowed for a wider distribution of images, shaping public perceptions of individuals. What does his dress and demeanor suggest about his social standing and the intended audience for this portrait? Editor: He's wearing quite formal attire, and he seems very composed, very serious. Maybe it was aimed at middle-class families who wanted to have access to figures of authority and influence? Curator: Precisely. Consider the socio-political backdrop. The mid-19th century was a time of growing nationalism and the construction of national identities. To what extent might a portrait like this play a role in creating or reinforcing social hierarchies and disseminating cultural values? Was Haslum a prominent figure, worthy of this visual representation? Editor: I see what you mean. Perhaps the portrait isn't just about representing an individual, but also reinforcing specific social roles and ideals, especially given how accessible prints were. I didn't even think about the influence prints might have had back then! Curator: Exactly. This piece gives us a glimpse into the politics of image-making, showing how even a simple portrait can reflect and shape its viewers. And the existence of such prints creates an archive of faces, of a cultural history. Editor: This has completely changed the way I view portraiture. I'll never look at a face the same way again!