Pitcher c. 19th century

Editor: This is an earthenware pitcher, likely from the 19th century, located here at the Minneapolis Institute of Art. The glaze and decoration have an appealing folksy character, though it’s the handle in the shape of a bird that really jumps out! What draws your eye, and how would you interpret this piece? Curator: Well, right away, I'm captivated by the glaze. The depth and variation in those earthy browns! It reminds me of a rich gravy, or maybe a swirling galaxy seen through an antique telescope. What do you make of that bird, practically nuzzling the rim? Is it protective, or merely decorative, do you think? Editor: I assumed decorative, but now that you say that, the gesture almost reads like the bird is ensuring the precious contents won't spill, which gives it a tender touch. Curator: Exactly! It transforms a functional object into a playful narrative. Imagine the hands that formed the clay, the careful application of glaze, and its role on a family table – serving cider on a crisp autumn day. The vines and grapes evoke harvest, abundance. Do you see how the light pools in the textured relief, heightening the drama? Editor: Now that you mention it, the raised texture on the pitcher is beautiful, it’s almost three-dimensional. I hadn’t noticed how it catches the light like that. I appreciate that connection to a domestic space. It gives the object a purpose. Curator: These objects carry echoes, don't they? Little whispers from the past, captured in clay and glaze. And isn't that the real magic of art – its ability to transport us? Editor: Absolutely. I’ll definitely look at pitchers differently from now on, seeing stories in the details. Curator: Me too. I love when art whispers, and this pitcher positively sings!