Stirrup Spout Vessel with Relief Depicting a Fishing Scene by Moche

Stirrup Spout Vessel with Relief Depicting a Fishing Scene c. 100 - 500

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ceramic, terracotta

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ceramic

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figuration

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ceramic

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terracotta

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indigenous-americas

Dimensions: 18.1 × 16.5 cm (7 1/8 × 6 1/2 in.)

Copyright: Public Domain

Curator: Looking at this Stirrup Spout Vessel from the Moche culture, created sometime between 100 and 500 CE, I'm immediately drawn to the dynamism. It’s like peering into a moment frozen in clay. The fishermen, the sea creatures... it all swirls together. Editor: Yes, a swirl indeed, an embodied history lesson if I may. These ceramic vessels offer us insight into Moche society's relationship with the ocean, a vital resource that shaped their culture and worldview. We are viewing more than just a pretty jug; it tells a complex story of labor, environment, and survival. Curator: Absolutely! The narrative aspect is compelling. I imagine them using these vessels for water, perhaps, and telling stories while drawing from them. And the artist, with those careful reliefs... Do you think they felt connected to these figures, to this ecosystem? Editor: I’m quite certain of it! I believe the Moche artist almost certainly saw a connection between the human and non-human realms. It makes you ponder questions about who had access to such intricately designed objects and what roles gender and class may have played in shaping those artistic choices and perspectives. Curator: And what about that spout? Such a unique feature! The way it curves back into the body of the vessel is oddly satisfying. It almost feels like a circulatory system made solid. Editor: Indeed! It's clever engineering for liquid distribution. When seen from our present moment, we could consider how it also models how humans depend upon resources that must be continuously maintained and regenerated if societies are to thrive. Curator: It is a striking vessel that has given us quite a bit to mull over, from daily life to symbolic representations. It’s humbling to be in the presence of an object with so much time folded into its form. Editor: Indeed. Let us hope we can all channel a similar balance and regenerative perspective.

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