Die Schlange from Eva und die Zukunft (Rad.-Werk III) 1898

Max Klinger created this etching called Die Schlange from Eva und die Zukunft around 1898, a period marked by significant shifts in societal norms, and evolving views on women's roles and sexuality. Here, Eve stands in the garden, gazing at her reflection in a mirror held by the snake. The traditional narrative of temptation and sin is complicated; Eve seems almost entranced by her own image. Klinger was working in a time when traditional religious beliefs were being challenged by scientific and philosophical advancements, and his art often reflects this tension. The image plays with themes of vanity and self-awareness, but also touches on broader questions about female identity and the gaze. Is Eve being seduced by the snake, or is she exploring her own sense of self? This ambiguity invites viewers to question the established interpretations of women, desire, and knowledge.