Shed on Alpine pass Col de la Croix, Canton Vaud 1984

Curator: Immediately, a somber quiet emanates from this work. It’s titled "Shed on Alpine pass Col de la Croix, Canton Vaud." It's a 1984 woodcut by Hubertine Heijermans. The dense foliage rendered with such care against that solitary, darkened structure... it sets a melancholic tone, wouldn't you agree? Editor: I'm drawn to the shed's construction. Look at how the timber logs are stacked—clearly defined texture showcasing the material qualities. Notice the craft evident in the way that they cut into and overlap to form these stable, protective structures, that roof with those handmade shingles. Curator: It's a compelling form. Consider the building’s context as shelter high in the Alps, practically a symbol for human refuge from natural forces. The building, set against what little sky is visible, feels iconic—representing human ingenuity against the vastness and perceived indifference of nature. Editor: What’s interesting is how the image undermines that supposed human triumph. Heijermans isn’t showcasing refined architecture. There’s a rough-hewn element to this, even a potential obsolescence. The shed appears utilitarian—perhaps linked to agrarian production in a challenging environment. The means for that survival in a monochrome study. Curator: Yes, it avoids idealization, but isn’t that what strengthens its impact? The absence of color makes one consider symbolic undertones of enduring structure despite change, a marker, if you will, for existential self-preservation amid the imposing alpine environment. Editor: Exactly. It brings attention to the labor involved. Look closely, and you can see a ladder, maybe other supports just casually leaning against the edifice. It is humble building; humble materials crafted by, in my view, underpaid and exploited labourers. The image evokes this tension. Curator: It’s true. The shed seems less about aesthetic achievement and more about perseverance. What begins as melancholic emerges as a representation for hard won resilience in the face of imposing terrain. The symbol evolves! Editor: The woodcut medium itself enhances the work. It speaks of traditional artistic and also productive approaches – connecting to labour even on the level of the artmaking. Curator: Indeed. Looking at it from this lens has revealed the image's potent commentary on environment, endeavor, and what these imply across symbolic registers.