Card Number 341, Mary Cawley, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes by W. Duke, Sons & Co.

Card Number 341, Mary Cawley, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes 1880s

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drawing, print, photography

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portrait

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drawing

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print

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photography

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genre-painting

Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)

Copyright: Public Domain

Curator: Take a look at this card. It’s "Card Number 341, Mary Cawley," from the "Actors and Actresses" series, dating to the 1880s. It was issued by W. Duke Sons & Co. to promote Cross Cut Cigarettes. Editor: Ah, cigarettes and celebrity endorsements...a marriage made in...capitalism? I find it captivating, like a fleeting dream captured on cardboard, slightly faded, with Mary Cawley herself looking surprisingly relaxed amidst all the smoke and mirrors. Curator: The trade cards themselves are fascinating examples of the industrialization of image-making and how companies began using visual culture to market products. Notice how Cawley, a performer, is depicted not in a conventional theatrical pose, but almost as a genre painting subject—posed in front of this rock, adorned in ballet costume, removed from the stage yet meant to embody its allure. Editor: Yes, but the backdrop feels like a staged tableau, almost mocking the "natural" pose, the strange rock and jungle scene, while her eyes hold a trace of mischief, as though she's aware of the playful absurdity of it all. It strikes me as something from a forgotten dream or a half-remembered film. What I like, also, is the strange allure she exudes - the costume looks like a strange sort of Amazon warrior! Curator: And indeed it's all artifice. Trade cards like this were a part of a broader culture of celebrity endorsement and product promotion that helped shape modern consumerism and star image as public asset. What gets interesting is where we situate Cawley's active involvement, given that the studio is setting up the backdrop. What we get is both product *and* personality. Editor: Exactly. It's that tension between image and identity that makes it feel current. Looking at it, I want to rewrite Mary's story; what happened to her beyond being the face on this thing designed for the trash can? Did she enjoy cigarettes herself? It gets the mental engine revving, and THAT to me makes this small card amazing! Curator: Well said. What seemed simple, a mere advertisement, now stands as a fascinating glimpse into the social and visual strategies that continue to shape celebrity culture to this day. Editor: Yes, the image itself feels very self aware, like she's waiting for her cigarette.

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