Paris 5 by Robert Frank

Paris 5 1959

0:00
0:00

photography, gelatin-silver-print

# 

film photography

# 

archive photography

# 

street-photography

# 

photography

# 

gelatin-silver-print

# 

pop-art

Dimensions: overall: 25.3 x 20.2 cm (9 15/16 x 7 15/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Editor: So, this is Robert Frank's "Paris 5" from 1959, a gelatin-silver print. It's presented as a strip of images, like a film reel. The different snapshots seem to capture everyday life. What draws my attention most is the sheer randomness of it all; it feels voyeuristic. What can you tell me about this piece? Curator: I think you’ve hit on something key: the feeling of the everyday. Frank was really interested in challenging idealized images of places. How do you think the “randomness” and your reaction to it play into Frank’s view on American identity in a broader sense, keeping in mind this work was part of a larger project? Editor: Hmm, well, maybe the randomness is the point. It's a rejection of the curated image. It feels honest, like a slice of real life, rather than something staged. Was he trying to say something about how we perceive national identity? Curator: Exactly. Frank’s work, especially “The Americans,” critiqued the idealized version of American life often presented in media. He documented the social landscape, exposing inequalities, isolation, and a sense of disillusionment that existed beneath the surface. This presentation mimics how memories often appear in our minds – fragmented. Consider what is visible and also not visible within each frame. What stories might remain untold? Editor: So, by showing these seemingly mundane moments, he’s actually making a bigger statement about society? Curator: Precisely! Frank challenged viewers to question dominant narratives and to confront the complexities of lived experience. How do you feel that photography, especially street photography, challenges our ideas of representation, objectivity, and maybe even truth? Editor: That’s really interesting, I hadn't thought of it that way before. It makes you consider who gets to tell the stories and how those stories are framed. Curator: Absolutely. And hopefully, encourages you to consider whose stories still need telling. Editor: I’ll definitely be thinking about that as I continue exploring art. Thank you!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.