Call to Revolution and Table of Universal Brotherhood (Table of Universal Brotherhood) by Jose Clemente Orozco

Call to Revolution and Table of Universal Brotherhood (Table of Universal Brotherhood) 1931

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painting, oil-paint, mural

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table

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painting

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oil-paint

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figuration

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oil painting

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group-portraits

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painting painterly

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mexican-muralism

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history-painting

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mural

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modernism

Copyright: Public domain

Editor: This is "Call to Revolution and Table of Universal Brotherhood," also known as "Table of Universal Brotherhood," painted by Jose Clemente Orozco in 1931 using oil paints. It strikes me as a bit…staged. The figures look so posed around that large, blank table. What do you make of it? What story do you see unfolding here? Art Historian: Staged is an interesting word! I see a carefully constructed dream, a hope, really. Orozco, deeply affected by the Mexican Revolution and the social unrest around him, is conjuring an image of unity, however idealistic. The empty table, stark as a bone, could be interpreted in myriad ways. Is it an invitation? A challenge? A space yet to be filled with ideas, with agreements, with the bread of fellowship? The men assembled – representatives of different ethnicities, perhaps different ideologies – are observing the empty space between them. Editor: An invitation…I like that! So the blankness isn’t just emptiness, but possibility? Like a stage waiting for actors? Art Historian: Exactly! Think of it like a poet facing a blank page – terrifying and thrilling all at once! And what about the book? It appears almost ceremonial, yet closed. Knowledge? Wisdom? Or an unopened dialogue? I can almost hear the silence in the room, thick with unspoken potential, anxiety maybe. Orozco often grappled with these tensions - the promise of revolution and its potential for corruption. Do you sense that here, perhaps? Editor: I didn't, but I do now! That little closed book sitting right at the edge adds so much… almost like the possibility will never happen. It feels more complex than just hopeful. Art Historian: Isn't that the magic of art, and particularly Orozco? It can hold both hope and despair, invitation and warning, within the same frame. It reminds us that utopia, like art itself, is an act of continuous creation, always in process. Always a conversation. Editor: Thanks for this discussion. Now I have many things to consider! It also helped me see much beyond my first impression.

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