Game 1987

Editor: This oil painting is called "Game," created in 1987 by Volodymyr Loboda. The shapes are really interesting, like figures huddled around something. It's so expressive, but what's really going on here? What do you see in this piece? Curator: This work reflects a fascinating intersection of artistic styles prevalent during the late Soviet era. The brushwork evokes expressionism while the geometric shapes, pushing into abstraction, capture an exploration into the private and the political. The term ‘game’ speaks of the negotiation, perhaps within a societal context or constraints put upon individuals. How do you interpret the muted tones in the broader context of art during that period? Editor: The dark colours definitely give it a sombre feel. Maybe reflecting the restrictions artists faced? Was there much freedom of expression back then? Curator: Precisely! Artists often navigated the constraints of state-approved art through abstraction. The very act of representing figures in such an abstract manner could be seen as a subtle act of resistance. The setting, although ill-defined, offers a voyeuristic glimpse into the private rituals of life, perhaps hinting at clandestine gatherings. How do you perceive the interaction between the figures? Editor: I see intense focus. It makes me think of a game of chess, where every move counts, or even something riskier. Curator: That is interesting. Thinking about the institutional role of art at the time, artists also began critiquing not only Soviet norms but also the West’s obsession with materialism. "Game," made just before Perestroika, reflects those transitions. Editor: That gives me a whole new appreciation for the work, knowing the history behind it. It's not just abstract; it's speaking to something bigger. Curator: Absolutely. The piece is a potent example of how artists use visual language to convey their views. Editor: I've definitely learned so much about how the art of this period reflects its social environment. Thank you!