Ontwerp voor kostuum voor Lycoris by Richard Nicolaüs Roland Holst

Ontwerp voor kostuum voor Lycoris 1910 - 1918

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drawing, paper, watercolor, pencil

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portrait

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drawing

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art-nouveau

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figuration

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paper

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watercolor

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coloured pencil

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pencil

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watercolor

Dimensions height 317 mm, width 230 mm

Curator: Here, we have "Ontwerp voor kostuum voor Lycoris," a costume design by Richard Nicolaüs Roland Holst, likely created sometime between 1910 and 1918. It’s rendered in pencil, colored pencil, and watercolor on paper. Editor: It evokes a mood of quiet stillness, almost like a classical frieze. The figure is positioned against this dark backdrop, but it is the delicate balance of line and wash that holds my attention. Curator: Indeed. The Art Nouveau influence is quite palpable. Observe how Holst employs line to define the form, yet simultaneously allows the watercolor washes to soften the contours. Note, also, how the figure, "Lycoris," appears somewhat detached from her surroundings. The inscription above—"Als deze teug z'un lippen streelt"—further hints at the symbolic context. Editor: From a historical standpoint, considering the context, there's an undeniable sense of romanticism, almost a longing for an idealized past. Stage productions often drew inspiration from classical antiquity, but did this artist lean more towards symbolist theater, offering political statements, or did their intention reside within the aesthetic pleasure of it all? Curator: Both may be the answer. Consider the color choices: the subdued greens and blues lend a dreamlike quality. And there's the subtle textural interplay, particularly in the depiction of drapery and foliage. It serves the construction of meaning and form in equal parts. The artist is definitely guiding our experience to appreciate formal decisions alongside their historical function. Editor: Agreed. Looking at it through the lens of costume design, how successful do you think this design would have been for conveying its narrative on stage? The restricted palette might read quite differently under stage lights and movement. Curator: That is certainly an element one cannot be fully certain about. However, Holst masterfully creates depth. And despite the relative flatness, I sense that the artist could likely manage dimensions under variable lighting scenarios to deliver intended emotion. Editor: A very interesting assessment. Holst's "Lycoris" is more than a costume design, isn't it? It's a subtle interplay between form, feeling, and cultural reflection. Curator: Absolutely. It encourages a dialog on structure and interpretation; where aesthetic intention and cultural framework harmoniously convene.

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