Motif 1975

Editor: Here we have Barry Flanagan's "Motif," from the Tate collection. The composition, with its rough, almost primitive carving, is so striking! What formal elements stand out to you? Curator: The work’s power resides in its manipulation of form. Note the interplay between the precise geometric square and the freehand circle. How does the artist use positive and negative space? Editor: The contrast really makes the spiral jump out. It’s like the whole composition is coiled energy. Curator: Precisely. The motif’s simplicity belies its sophistication, wouldn't you say? Editor: Absolutely, seeing the relationship between the shapes makes me appreciate the refinement of Flanagan's choices! Curator: Indeed, it provokes a deeper understanding of Flanagan's artistic vision.