Pelgrimstocht van Maria Elisabeth, landvoogdes der zuidelijke Nederlanden naar Montaigu 1739

Editor: This is "Pelgrimstocht van Maria Elisabeth, landvoogdes der zuidelijke Nederlanden naar Montaigu," a bronze relief created in 1739 by Jacques Roëttiers. The Baroque styling definitely makes it feel stately. What strikes me most is the use of this medium for a commemorative piece. How do we interpret that choice? Curator: Indeed. Casting a pilgrimage in bronze lends it permanence, effectively creating lasting propaganda. This isn't just about religious devotion; it's about power, the intersection of the Church and the state, quite literally. This medal attempts to create a heroic image of Maria Elisabeth, associating her with religious virtue. Notice how the design mimics the aesthetics of ancient Roman coinage, a visual strategy meant to evoke concepts of power and imperial authority. Editor: So, the material itself serves to elevate her status beyond a simple act of faith? Curator: Precisely. Consider where these commemorative medals would have circulated: primarily within courtly and noble circles. The choice of bronze suggests wealth and stability, signaling her suitability as a ruler. The images served to construct and solidify her power base, both with the Church and the elites. What effect do you imagine this having on the general population? Editor: It’s interesting how an object so small could play such a significant role in constructing an image. I hadn't thought about it as a deliberate strategy of communicating power to specific audiences. Curator: The medal acted as a portable declaration and amplification of status and devotion in a society where symbols held considerable political sway. Editor: Seeing it as propaganda really reframes my understanding of its intention.