Plaque 1785 - 1799

This small plaque was made by Josiah Wedgwood, probably sometime in the late 18th century, using his signature Jasperware technique. Wedgwood perfected this stoneware to mimic ancient cameos. The blue 'jasper' clay body is stained with metal oxides, and the white figures are sprigged, meaning they're separately molded and then applied to the surface before firing. The incredibly fine detail is achieved through meticulous handwork, requiring highly skilled labor. Wedgwood was a master of industrial production, dividing labor to maximize efficiency, and his classically-inspired designs appealed to wealthy consumers. This plaque, with its Neoclassical figures, reflects the period's fascination with antiquity, but also Wedgwood's savvy business sense. He bridged the gap between art and industry, creating beautiful objects on a mass scale. Considering the material and process of making this plaque helps us appreciate Wedgwood's innovative approach, blurring the lines between craft, design, and commercial production.