Naakte man, liggend op zijn rug by Juste de Juste

Naakte man, liggend op zijn rug c. 1535 - 1559

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drawing, ink

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drawing

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light pencil work

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quirky sketch

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pencil sketch

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sketch book

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mannerism

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figuration

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personal sketchbook

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ink

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ink drawing experimentation

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pen-ink sketch

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sketchbook drawing

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storyboard and sketchbook work

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nude

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sketchbook art

Dimensions: height 104 mm, width 203 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this ink drawing, "Naakte man, liggend op zijn rug" – that's "Naked man, lying on his back" – by Juste de Juste, probably from around 1535 to 1559…it's striking, but also unsettling. The way the figure is positioned, almost twisted, creates a real tension. What catches your eye when you look at this? Curator: Oh, you're right, there's definitely a palpable sense of unease. What really grabs me is how the artist seems to be exploring the *idea* of the human form, rather than striving for anatomical perfection. There's a playful disregard for conventional proportions, almost like the body is an experiment. Don't you think? A curious contrapposto. What might be its meaning? Editor: An experiment, that's interesting. It does feel like he’s working something out on the page. Almost like…pre-work for something else? Curator: Exactly! It has the energy of a sketch, a fleeting thought captured in ink. You know, I’m also intrigued by the fact that Juste de Juste was working in a period of immense artistic and intellectual upheaval, and this piece encapsulates a particular Mannerist approach that challenges Renaissance ideals. What's your experience of the line work in terms of experimentation and discovery? Editor: It feels very loose, free...definitely exploratory. The doubling of the figure creates this ghostly echo, almost like the artist is working through different possible poses. I guess that sense of searching and uncertainty adds to the feeling of tension. Curator: And it speaks volumes about the creative process, doesn't it? This isn't a finished masterpiece intended to impress. It's raw, unfiltered, offering us a glimpse into the artist's mind. Maybe there's truth there about the vulnerability that artists felt with new, shifting cultural parameters! Editor: It’s refreshing to see that rawness. To realize that even artists from centuries ago weren't always striving for perfect, polished results. It’s somehow… comforting. Curator: I think you’ve hit on something important! It reminds us that art can be about exploration, questioning, and simply wrestling with ideas, rather than always presenting a definitive statement. So liberating, this freedom to "fail"!

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