Stadsgezicht bij een rivier by Arnoldus Johannes Eymer

Stadsgezicht bij een rivier 1813 - 1863

drawing, paper, pencil

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pencil drawn

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drawing

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aged paper

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light pencil work

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pencil sketch

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old engraving style

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landscape

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paper

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personal sketchbook

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romanticism

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pencil

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19th century

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cityscape

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pencil work

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realism

Editor: So, here we have "Cityscape by a River," a pencil drawing on paper by Arnoldus Johannes Eymer, created sometime between 1813 and 1863. It's incredibly detailed and gives off a feeling of peaceful nostalgia, like looking into a memory. How do you interpret this work? Curator: What I immediately see is the potent symbolism of the river. Rivers, throughout art history, represent the passage of time, the journey of life. How do you see that manifested here? Editor: I guess the stillness of the water gives a sense of reflecting on the past, not really the rush of the present? Curator: Precisely! And consider the tower in the middle distance. Towers often symbolize power, but also isolation. Look how it dominates the skyline but is somewhat separated from the daily life by the riverbank in the front, where the people sit quietly and contemplate the flow of water. Does the contrast of near and far suggest an element of tension in what may otherwise appear tranquil? Editor: I didn't think about the tower representing power… It felt more romantic and picturesque at first. Curator: That's a valid point. But Romanticism wasn't just about pretty scenes; it was about feeling the weight of history, exploring emotional intensity, and recognizing the sublime. Look at how the artist chose to create light in this landscape – using light pencil strokes in the sky versus shadow behind the tower, in front of which are the figures in sunlight… Light and shadow create feeling. How would you say this use of contrast emphasizes your feeling about the image? Editor: The subtle light makes it seem less about grand statements of power and more about personal reflection, especially with those figures quietly by the river. I didn’t pick that up at first. Curator: And that quiet contemplation is part of the language of this era. Through this drawing, the artist leaves an echo of how a citizen saw and valued their changing world. Editor: It’s like the image becomes a symbol itself, a little memory held on aged paper.

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