Boeren en de landheer by Noach van der (II) Meer

Boeren en de landheer 1778 - 1785

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Dimensions height 250 mm, width 155 mm

Curator: Look at this print! It's called "Boeren en de Landheer," or "Peasants and the Landlord," made between 1778 and 1785 by Noach van der Meer the Younger, and we are so fortunate to have it here at the Rijksmuseum. Editor: Oh, my first impression is one of slight tension! There's this almost performative authority radiating from the landlord, countered by what appears to be some skepticism from the peasants. Curator: Yes! He’s definitely the focal point. What's striking is van der Meer's use of line—the etching is incredibly detailed. The light streaming through those arched windows on the left contrasts starkly with the landlord’s assertive stance. Editor: That pose! Pointing, leg slightly forward. He embodies the power dynamics so characteristic of that period. It reads so vividly in our current sociopolitical climate, where land ownership and resources continue to be points of conflict. What exactly is the 'Keur' or official order pinned up on the back wall saying? Curator: Oh! Good eye! It probably outlines local ordinances and regulations, solidifying the landlord’s power even further. I can almost hear him reading it out loud and them groaning... metaphorically of course. I can really imagine the sounds. Editor: The print captures the intersection of local governance, power dynamics, and resistance, or at least, reluctant compliance, as displayed in the peasants' faces. There's this undeniable social commentary threaded throughout the print. Who really holds power, and is it always absolute? Curator: You know, it's almost a snapshot of everyday injustice, made enduring through art. I love how it makes us question these historical figures. The composition is really intimate. Like a fly-on-the-wall moment. Editor: Yes. Van der Meer creates a dialogue that invites us to really analyze the intricacies of hierarchy, power, and community relations. I love the nuance of each etching line that conveys a powerful message which is as relevant now as it was centuries ago. Curator: I hadn't thought about it quite like that. Thanks. It makes me appreciate the artistry and impact of even seemingly simple scenes. Editor: Absolutely. Art is never just "art." It’s always engaging with history and with each other, whether we intend it to or not.

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