Spotprent op de Algemene Rekenkamer, 1865 by Johan Michaël Schmidt Crans

Spotprent op de Algemene Rekenkamer, 1865 1865

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drawing, ink, pen

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drawing

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comic strip sketch

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quirky sketch

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dutch-golden-age

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caricature

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personal sketchbook

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ink

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idea generation sketch

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sketchwork

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pen-ink sketch

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line

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sketchbook drawing

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pen

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genre-painting

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storyboard and sketchbook work

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sketchbook art

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realism

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initial sketch

Dimensions height 215 mm, width 275 mm

Curator: This satirical drawing, created by Johan Michaël Schmidt Crans in 1865, is titled "Spotprent op de Algemene Rekenkamer, 1865," which translates to "Cartoon on the General Accounting Office, 1865." It's rendered in pen and ink, typical for sketches of that era. Editor: Gosh, this feels like wading into some bureaucratic nightmare. All those hunched figures scrutinizing ledgers! There's an oppressive air, like nobody in that room has seen sunlight in weeks. Curator: Indeed. The stark, almost frantic line work contributes to this mood, I think. Consider how the artist uses hatching to define form and space, but it also creates a sense of claustrophobia, right? Observe how each character seems trapped within their own task. Editor: Trapped is the word. The guys peering at the big book in the center almost look like vultures circling carrion. And is that supposed to be an oversized adding machine behind them, or some kind of torture device? This makes bean-counting seem actively sinister. Curator: Ha! I love your interpretation! Although humorous to a modern audience, Schmidt Crans’ critique cuts deeper than just lampooning bureaucratic tedium. The title references "De Comptabiliteitswet" -- The Accounting Law -- indicating a commentary on the legislation itself and those who enforce it. Editor: Well, if that's the point, the artist nails it. The style feels deliberately stuffy and old-fashioned, too. It reminds me of peeling back layers of wallpaper in a dusty government office. I imagine the air smells of ink and regret. Curator: Quite a striking image! What do we make of the distinct grouping of figures to the left though? Could that character bent over an 1841 ledger be of importance here? Is there a suggestion that things have become so bad since 1841? Editor: I'd say so! Overall this illustration evokes a profound sense of unease about bureaucratic overreach. Makes me feel grateful I am an artist, not a clerk.

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