Plate c. 1886

This ceramic plate, designed by Christopher Dresser, presents an intriguing interplay of form and function. The square shape with rounded corners and an asymmetrical arrangement of circular indentations immediately sets it apart. The botanical motif at the plate's centre is structured as a vertical ascent from the base with abstract flowers. It uses soft colours like pinks, blues, and browns to create a whimsical effect. The lines are fluid and decorative, contrasting with the plate's rigid geometry. Dresser's design reflects a fusion of industrial production with aesthetic principles. The plate’s deviation from traditional circular forms and symmetrical decoration destabilizes conventional notions of harmony. It challenges the established hierarchy between art and design, offering a critique of prevailing Victorian tastes. The semiotic interplay between the naturalistic floral design and the geometric plate disrupts fixed meanings, inviting an ongoing reinterpretation of function and beauty in everyday objects.