Vibrações II 

Eduardo Nery’s "Vibrações II" captivates with its systematic arrangement of blue and white squares. The composition is an exercise in visual rhythm, each diamond-shaped tile contributes to a larger pattern that appears to both recede and advance. The materiality of the work and the texture, though flat, seem to imply depth and movement, engaging the viewer in a dynamic visual experience. Nery's use of geometric abstraction in "Vibrações II" can be interpreted within the context of structuralism, where patterns and systems of organization reveal underlying structures of thought and perception. Semiotically, the alternating colors function as a binary code, creating a system of signs that communicate through contrast and repetition. This approach challenges fixed meanings, suggesting a play between order and visual sensation. Ultimately, the careful articulation of space and the destabilization of a simple grid pattern, positions "Vibrações II" within a broader discourse about how art can manipulate our perceptual understanding. This piece invites us to question the relationship between what we see and how we interpret visual information.