Askanceglancelongingly by Stanley Boxer

Askanceglancelongingly 1976

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Dimensions: image: 315 x 283 mm

Copyright: © The estate of Stanley Boxer | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Today we're looking at "Askanceglancelongingly," an undated print by Stanley Boxer, part of the Tate collection. Editor: It feels ethereal, almost like a faded memory. The textures and layering give it a dreamlike quality. I wonder about the printing process. Curator: Boxer was quite experimental. Looking at the imagery, you notice figures almost dissolving into their surroundings. It's evocative of classical pastoral scenes, filtered through a modern lens. Editor: It also seems intentionally fragile. The limited color palette and delicate lines speak to the ephemerality of both the image and the labor it took to create it. Curator: Absolutely. And that fragility speaks volumes about how these idealized visions exist within cultural contexts. Editor: It’s interesting to consider how the chosen materials contribute to the meaning. Curator: A compelling point. Overall, it's a delicate dance between form and concept. Editor: Yes, a fascinating interplay of materials and the social narratives that surround them.

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tate 1 day ago

http://www.tate.org.uk/art/artworks/boxer-askanceglancelongingly-p12044

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tate's Profile Picture
tate 1 day ago

Stanley Boxer is best known for his large scale abstract paintings which have a rich sculptural quality produced by thick, impasto brushwork. Boxer’s paintings were championed by American modernist critic Clement Greenberg (1906-1994), famous for his insistence that painters should eliminate subject matter in their work, aiming instead for the purity of abstraction. When considered in relation to his paintings, the prints Boxer produced at Tyler Graphics between 1975 and 1979 seem somewhat of an anomaly. Over this period, he created several series of figurative works, illustrating whimsical scenes featuring animals and winged figures. Boxer had, however, been making drawings of this nature throughout his career, and he insisted they were closely connected to his abstracts, made with similar gestures and motivation.