Prenten-magazijn voor de jeugd / Zangkunst by Jan Schuitemaker

Prenten-magazijn voor de jeugd / Zangkunst 1853

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drawing, graphic-art, print, paper, engraving

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drawing

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graphic-art

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aged paper

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homemade paper

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narrative-art

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print

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sketch book

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hand drawn type

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personal journal design

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paper

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personal sketchbook

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journal

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sketchbook drawing

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storyboard and sketchbook work

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sketchbook art

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engraving

Dimensions height 410 mm, width 326 mm

Curator: This printed sheet, "Prenten-magazijn voor de jeugd / Zangkunst", was made by Jan Schuitemaker in 1853. It combines musical scores, poetry and charming little engravings, all on a single page. Editor: It's like a peek into a 19th-century scrapbook, isn’t it? Sort of faded and delicate. It has the distinct feel of something well-loved and frequently handled. A tactile history. Curator: The printing process is key. Look at the detail achieved with engraving – the precision in rendering landscapes, interiors, and even musical notation is quite something. Consider the labour involved. This was before widespread photography in publications, so visual information was painstakingly reproduced by hand. Editor: Right, you can almost feel the artist leaning over the plate, carefully etching away. But the end result also seems oddly democratic, a "magazine for the youth", bringing art, poetry and music directly to a young audience, straight to their home. Curator: Precisely. This was designed for circulation and consumption. Schuitemaker’s printmaking shop in Purmerende was fulfilling a social need by making cultural materials accessible to a broader public, at a particular price point. Editor: I can imagine children gathered around, poring over these images. It's all very sweet and sentimental. But if I zoom in I do see little glimpses of work and ordinary life, in a very neat package. Curator: Yes, note the blend of the domestic and natural worlds—interior scenes nestled next to idyllic landscapes. Schuitemaker is playing with idealized visions, presenting education as both uplifting and grounded in the everyday. Editor: Ultimately, it makes me wonder about what traces of our time and culture we will leave behind and how they will look in another 200 years. It makes you see both the temporal and human values. Curator: Indeed, contemplating its journey through time brings both aesthetic and sociological insights into play.

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