Portret van een zittende vrouw 1860 - 1880

Corot et Cie created this portrait of a seated woman using the albumen process, a popular photographic technique of the 19th century. In this small, intimate portrait, we see a woman seated, gazing directly at the camera, her hand gently touching her face. The simplicity of the composition draws our attention to her expression and attire; her clothing possibly reflecting the sartorial norms and social status of women during this period. Consider the historical context: photography was becoming increasingly accessible, yet portraiture remained a significant way for individuals to document their existence and project an image of themselves. This photograph could be seen as a form of self-representation, allowing the sitter to assert her identity and place in society. The gaze she directs at us invites a connection. As viewers, we are invited to consider the narratives and experiences of women during this era, and reflect on the complexities of identity and representation in the visual arts.