Leeuw c. 1888

Curator: Let’s turn our attention to Ottomar Anschütz's "Leeuw," a gelatin silver print dating back to around 1888. Editor: Oh, wow. Straight away, there's something so quietly powerful about this portrait. That stare—it's like he’s daring you to underestimate him. A bit melancholic, maybe? Curator: Interesting observation. Considering the constraints of early photography, it’s remarkable how well Anschütz captured both the physical form and what you perceive as the melancholic essence of the lion. Note the compositional choice to position the lion centrally, emphasizing a direct engagement with the viewer. Editor: Totally, and the lighting... It almost sculpts the face, especially highlighting the mane, that wild, unruly frame around that intensely calm face. It’s both regal and, dare I say, a tad bit…scruffy? Adds a certain charm. Curator: Indeed. The gelatin silver print technique allowed for a range of tonal variations which contribute to this effect, creating a texture that oscillates between precision and the appearance of roughness. These textures mirror, in my view, the complexities inherent within the animal. Editor: I’d say so. He’s grounded too—positioned low, almost part of the rocky landscape. It emphasizes his belonging, his innate connection to the wild. I find this representation way more evocative than those overtly majestic lion depictions. Curator: A key aspect of realist photography is presenting its subject without excessive romanticization. In eschewing grandiosity, Anschütz invites a reconsideration of prevailing attitudes. Through such a clear-sighted depiction, a new symbolism is, in essence, forged. Editor: It is a testament to the beauty found in unfiltered representation, rather than an idealized construct, wouldn’t you say? To me it suggests this magnificent creature in its world is grand enough! No additional fuss required. It prompts thought about our relationship to the natural kingdom...our influence, you know? Curator: A relationship defined here by mutual acknowledgement captured through this arresting, photographic frame. It causes one to think differently, that is quite certain. Editor: Absolutely. A potent, thought-provoking image.