print, paper, photography
paper
photography
Dimensions: height 245 mm, width 162 mm, thickness 5 mm
Copyright: Rijks Museum: Open Domain
Curator: Well, let's dive in. We have here a third edition print titled "Alexandre Dumas aujourd'hui" dating back to 1869, authored by Charles Chincholle, featuring photographs by Pierre Petit. It’s printed on paper, exhibiting a yellowish tint. Editor: Yellowish tint is putting it kindly. It has the melancholic air of an old photograph, all sepia and memory. I feel a world of literary history clinging to this image! Curator: The slightly aged quality is certainly a sign of its age. The piece captures more than just Dumas himself, don’t you think? Editor: Absolutely! The stark text evokes the literary sphere and intellectual pursuits of that time, doesn’t it? Photography accompanying the printed text promises a vividness… as if capturing Dumas' very essence in a modern way, like the 'aujourd'hui' in the title suggests. It creates an immediacy. Curator: The title choice is fascinating indeed. Consider that 1869… It hints at a conscious effort to depict Dumas in a light that resonates with their contemporaries. There’s intentionality here; crafting a version of him that aligned with the prevailing perceptions of his life and work. Editor: Symbolically, though, presenting Dumas “today” on paper feels… fragile. As if to remind the viewer of the author's own mortality. As if paper could really contain someone like Dumas. He seems a force of nature! Curator: Well, that also connects with the historical role of photographic portraits—they’ve always grappled with mortality. Beyond immortalizing individuals, the act of portraiture engages with themes of time, memory, and how we want to be seen. This edition aimed to present him for posterity. Editor: And it really captures this odd dichotomy between printed legacy and personal likeness. I’m thinking, as a literary monument, this print becomes, itself, an extension of Dumas, carrying on the weight and prestige that accompanies a titan of literature. What do you think? Curator: Precisely. In many ways it’s still the case today! We engage with prints, texts, and visual cues to continuously reshape and reimagine legacies. And this "Alexandre Dumas aujourd'hui" remains another captivating node in this continuous shaping.
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