Triomftocht van Christus met figuren uit het Oude en Nieuwe Testament (zevende deel) 1687 - 1694

Nicolas de Larmessin I created this print, "Triumph of Christ with figures from the Old and New Testament", using etching and engraving techniques. These methods involve using acid to bite lines into a metal plate, which is then inked and printed onto paper. The fine, precise lines we see here are a testament to Larmessin's skill as a printmaker, which was a highly skilled craft in its own right. Notice the details, like the rendering of the figures' robes, the implements they hold, and even the clouds in the background. These all contribute to the overall sense of depth and texture. In the 17th century, printmaking was not just about artistic expression. It was also a vital means of disseminating information and ideas, making it tied to wider social issues of labor, politics, and consumption. Prints like these were often produced in workshops, involving the division of labor, where different artisans specialized in different aspects of the process. The amount of work involved in producing prints like these was considerable, reflecting the growing commercialization of art during this period. Paying attention to the materials and making of this print gives us insight into the artistic practices of the time, challenging traditional distinctions between fine art and craft.