Allegorische voorstelling met mannen in harnas, Faam en Hollandse Maagd 1664

This print, made in Amsterdam in 1664 by Iacob van Meurs, is replete with symbols of power and national identity. We see an allegorical tableau featuring armored figures and the Dutch Maiden. Note the figure of Fame, trumpeting the glory of the Nassau heroes. This motif of Fame, a winged figure announcing triumphs, has ancient roots, appearing in Roman art and resurfacing during the Renaissance to glorify rulers and military victories. The armor worn by the men isn't merely protective gear; it symbolizes strength, virtue, and the readiness to defend the state. Consider, too, the prostrate figure underfoot, a visual trope signifying vanquished foes. This act of subjugation harkens back to ancient victory monuments, where defeated enemies were often depicted as crushed under the feet of triumphant rulers. It’s a potent image, designed to evoke a visceral sense of dominance and security. The cyclical progression of these symbols is clear. They are constantly resurfacing, evolving, and taking on new meanings in different historical contexts.