Feather Form and Bubbles by Alexander Calder

Feather Form and Bubbles 1969

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painting, acrylic-paint

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painting

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acrylic-paint

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abstract

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form

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geometric

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line

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modernism

Curator: This acrylic painting, titled "Feather Form and Bubbles", was crafted by Alexander Calder in 1969. Immediately striking, isn't it? Editor: Yes, an initial sense of lightness and playful chaos. The primary colors, red, yellow, blue and black pop against the off-white, almost aged ground. It feels like looking up at scattered confetti. What are we really looking at? Curator: The biomorphic forms hint at the natural world, which align with modernism’s attempt to reflect life and organicism. Think Miró and Léger. The floating forms and geometric abstraction speak to Calder’s interest in dynamism and motion. His well known background and prior experience working as an engineer contribute to an aesthetic based around line and spatial planes. Editor: Looking closer, the execution seems quite immediate, almost casual. Is there any specific process info available about how it was produced? Curator: Little to no detailed material has surfaced on this work but he worked pretty quickly on his paintings, and you can almost see the quick, energetic brushstrokes throughout. The visible drips and splatters show the evidence of its making; a sort of material record of artistic production which makes me curious of Calder's engagement and use of acrylics. Editor: It is this feeling of spontaneity, alongside the calculated placement of geometric forms, that’s very compelling. One really must ask what that particular selection of paint means; perhaps there are specific political sentiments here? Curator: Possibly! Although much of Calder’s work resists overt political narratives, the broader context of the late 1960s cannot be entirely ignored. The abstract language may allude to themes of social change and liberation without direct representation, reflecting the period’s spirit of formal and political experimentation. Editor: Yes, you can say this, given its date and context. Although, at a glance it just seems, frankly, just aesthetically light hearted. What a deceptive moment. Curator: Agreed! Calder offers much to dissect and contextualize for his viewers. Editor: Well put, offering much insight into the socio-cultural contexts embedded within seemingly light abstractions. Thanks!

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