Drie dogen uit Venetië en Genua, gekleed volgens de mode van ca. 1580 before 1581

Abraham de Bruyn created this engraving, titled "Three Doges of Venice and Genoa, dressed according to the fashion of ca. 1580," sometime before 1587. This print offers a glimpse into the opulent world of the late 16th century Italian elite. The doges, or elected leaders, are presented not just as individuals, but as symbols of their respective city-states. Their elaborate garments, detailed with careful precision, speak volumes about the power and wealth they commanded. It’s impossible not to consider the message these doges were trying to convey through their attire. Were they reinforcing their authority, or perhaps trying to align themselves with a certain cultural identity? Consider the emotional impact of such displays of wealth during a time of significant social stratification. How did the common person view these leaders, draped in their finery? The doges' clothing becomes a powerful visual statement, reflecting both personal status and the complex socio-political landscape of the time.