The Wheelwright's Smiths c. 20th century

Curator: This is Harry Morley's "The Wheelwright's Smiths," held in the Harvard Art Museums. What strikes you first? Editor: The forceful composition, really; the stark contrast between the figures and the dark background, the powerful physicality of the smiths. Curator: It's compelling, yes, but I think it's important to consider the socio-economic context; what was it like to be a tradesman then? The work evokes a sense of pride in labor. Editor: I agree, though the lack of detail on the faces adds to the universality of the image, transcending its immediate social moment. Curator: Perhaps, but I see a commentary on the working class, captured in this intense scene. Editor: It is a potent, unified image, whether we're looking at the graphic elements or social themes. Curator: Agreed. A powerful reminder of the dignity of work.