WEISSE KOMPRESSION AUS KOMPLEMENTÄRFARBEN 1964
maxbill
acrylic-paint, paper
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concrete-art
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minimalism
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op art
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acrylic-paint
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paper
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geometric pattern
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minimal pattern
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geometric
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geometric-abstraction
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abstraction
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pop-art
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hard-edge-painting
"WEISSE KOMPRESSION AUS KOMPLEMENTÄRFARBEN" (1964) by Swiss artist Max Bill is a striking example of Concrete art. The painting features a diamond shape divided by four bold, contrasting stripes of red, yellow, white, and green. Bill was a proponent of geometric abstraction and emphasized the use of primary colors and simple forms, creating a visually striking and intellectually stimulating work. This piece exemplifies the principles of Concrete art, which emphasizes the essential qualities of form and color.
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