Gjennem Frankrig by Lorenz Frølich

Gjennem Frankrig 1878

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drawing, ink

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drawing

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landscape

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etching

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figuration

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ink

Dimensions: 257 mm (height) x 197 mm (width) (bladmaal)

Curator: Immediately, I see a dreamscape; something not quite settled, almost fleeting. Editor: You've picked up on something important about this etching, titled "Gjennem Frankrig," which translates to "Through France," created in 1878 by Lorenz Frølich. Curator: France! It explains the figures’ clothing; it evokes something medieval, something romanticized. It almost feels staged with the woman upon a white horse and another figure trailing with a lute. What would someone carry a lute? Perhaps a song to perform? Is there more to this? Editor: It's certainly designed to evoke a feeling, a mood. Frølich was deeply engaged with national romanticism, and often depicted historical or mythological scenes. You mentioned staging and there are hints that Frølich drew from theatrical traditions. He wasn't merely documenting a scene but composing one loaded with cultural associations. Curator: Ah, theatrical tradition! So the figures become representations or ideas. Does the lute perhaps suggest wandering minstrels? Is the white horse intended to signify a purity of intent? Is the image a celebration of travel itself? Editor: The idea of celebrating travel is certainly pertinent here, given the title. In the context of the late 19th century, depictions of national identity were powerful and contested. Frølich’s work can be seen as contributing to Denmark’s cultural self-fashioning in relation to Europe. Curator: The symbolic charge, then, isn’t just about individual morality. But cultural identity... this romantic idea of the homeland seen "through" France. I notice that this vision, this carefully etched moment, becomes a stage where cultural ideals play out. Editor: Precisely, a space to work through the questions of heritage, identity, and place within the world. I think we are just seeing one moment during which Frølich allows us to peak inside a play he designed. Curator: Now, that I recognize Frølich built his cultural message for us, it’s not the dreamlike picture I thought. Editor: Well said. These kind of landscapes tend to hold a lot.

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