Pewter Porringer c. 1937

Editor: This is Harry Goodman's "Pewter Porringer," a charcoal drawing from around 1937. It feels almost photographic, like a detailed study in light and shadow. I am interested in your reading of this composition, in particular. Curator: The image intrigues in its use of a mundane object. Observe the carefully constructed gradation of tones achieved with charcoal. The artist’s command over value allows us to experience the solidity and surface of the porringer, yes? Note how the texture of the paper support is barely visible yet present enough to enhance this tactile quality of the image. What visual cues stand out to you in particular, in terms of line quality? Editor: The way the light reflects off the rim and the interior of the porringer. The drawing’s meticulous, especially around the handle. There's also a noticeable contrast in linework; more definitive in areas needing greater detailing compared to much more faint, less detailed zones, such as the background. Curator: Precisely! That contrast draws our eye, dictating the hierarchy within the composition. Now, let's think about its structure and forms. The circularity of the bowl contrasting with the geometric lines evident on the support and backing, as if framing the curves, setting up visual tensions and enhancing the three-dimensionality of the image, what do you observe? Editor: The drawing is really compelling; I am more cognizant now of the formal structures the artist has introduced, which gives this realistic picture greater visual tension. Thank you. Curator: Indeed. And in concentrating solely on the artistic elements and their interplay, one can find new means of examining an art work.