Kwannon and Horse by Hovsep Pushman

Kwannon and Horse 

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painting, oil-paint

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painting

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oil-paint

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asian-art

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landscape

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painted

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figuration

Curator: Hovsep Pushman’s oil painting presents a tableau known as "Kwannon and Horse". Let's explore the details and cultural significance woven into this composition. What is your immediate impression of the painting? Editor: It feels like a quiet meditation, a sanctuary. The palette is muted, the lines soft. Despite the static subject matter, I sense a yearning for some sort of awakening, an unburdening. Curator: I can certainly see that. The imagery presented has complex layers when approached from a social and historical perspective. The Kwannon figure, representing the Bodhisattva Avalokiteśvara, is placed alongside the horse, a symbol of strength and mobility across many cultures. Together they are meant to evoke both serenity and dynamic power. How does the visual relationship between the figure and the horse affect how the symbolism impacts us? Editor: For me, the pale horse is less about traditional might, and more about its iconic connections to journeys between worlds and messages. And indeed, its stark white feels ghostly in this piece. I interpret the horse looming behind the figure of Kwannon as not so much imposing on the meditating figure as offering her conveyance, should she accept it. There is also that empty saddle... Curator: An astute interpretation, and relevant if we bring in a more critical theoretical lens to see it! Is the horse’s stillness and muted presence in direct conversation with a traditional Western patriarchal interpretation? One cannot but wonder, given this specific combination, if the artist means for us to challenge normative views of power dynamics. What can this representation suggest when contrasted with popular perceptions of Western gendered power roles? Editor: It invites questions, doesn’t it? This juxtaposition does trigger further interpretation; I am particularly drawn to how this symbolic grouping creates a new kind of narrative around the potential for transition, or choice, in both earthly and spiritual dimensions. It's about choosing how power is enacted. Curator: Absolutely, a fascinating aspect when discussing identity. I concur with your overall assessment of quiet and contemplative strength as it creates multiple pathways into current societal concerns. It allows us, the viewers, to rethink not only societal structures, but also spiritual growth. Editor: A truly compelling, deeply symbolic and rather provocative composition for viewers as we work to better understand both Asian art history, and current theory. Thank you. Curator: The pleasure was all mine. A challenging piece indeed.

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