Portrait of a Girl Reading a Book by Gerard ter (I) Borch

Portrait of a Girl Reading a Book c. 1630 - 1635

drawing, paper, ink, pencil

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portrait

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drawing

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baroque

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pencil sketch

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figuration

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paper

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ink

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pencil

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portrait drawing

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genre-painting

Curator: Here we have Gerard ter Borch's "Portrait of a Girl Reading a Book," created sometime between 1630 and 1635. The artist employed ink, pencil, and wash on paper to bring it to life. Editor: It’s so intimate, almost voyeuristic. Like a stolen glance at a private moment, isn't it? All hushed tones and focused intensity. The lace on her cap seems to almost hum with silent concentration. Curator: Indeed. Ter Borch was a master of capturing these genre scenes, moments of everyday life that offer a window into the cultural values of the Dutch Golden Age. Notice how the act of reading itself is elevated. Editor: And she's no ordinary girl; the elaborate lace and meticulous details of the sketch signal she's someone special. Do you think she's lost in a fairytale, a scandalous romance, or something deeply philosophical? One wonders if that impacts how this is read over time. Curator: The open book is a key motif of the Dutch Golden Age, associated with humanism and the growing accessibility of knowledge through printed materials. The detail in capturing her absorption symbolizes the power of knowledge itself. Editor: The composition is masterfully simple, framing the quiet drama. Her focused gaze downward really grounds her. Makes you wonder, too, what stories women of her era might find accessible and relatable. We're inheriting these perspectives! Curator: This drawing reflects the broader social changes occurring at the time. There was an increased emphasis on education, even for women of the upper classes. Art itself played a role in conveying cultural status. Editor: Right! You know, it's that fine balance – a window into a specific past but, at the same time, those emotional throughlines that seem almost eternally recognizable. Curator: I agree. Through Ter Borch's keen observations of everyday life, we have a glimpse of intellectual curiosity, humanizing that distant era. Editor: I leave feeling oddly seen. What a beautiful conversation with an artist from so long ago!

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Comments

rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

The sitter in this drawing by Gerard ter Borch is probably his eldest daughter, Anna. He affectionately drew her concentrated face, her long eyelashes and the wisps of hair escaping from her otherwise tidily combed back hair. Like her younger sister Gesina, Anna practised calligraphy. This form of penmanship was popular primarily among girls in the 17th century

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