1587 - 1603
Maria Magdalena of de heilige Agatha
Listen to curator's interpretation
Curatorial notes
Joos van Winghe rendered this drawing of Maria Magdalena or Saint Agatha in the late 16th century with pen in brown, brush in gray-brown, and heightened with white, all on gray paper. The halo and the candle immediately identify a figure of deep, spiritual import. The candle, beyond its obvious religious connotations, has a history stretching back to ancient practices of illumination and knowledge. Think of the pre-Socratic philosophers, who often worked by candlelight, searching for truth in the shadows of ignorance. Or the Vestal Virgins of Rome, who kept the sacred flame burning, a symbol of the state's very survival. Over time, this flickering light evolved into a beacon of divine enlightenment. Here, it's juxtaposed with the book—another source of illumination. Notice how the concentrated gaze of the figure and the proximity of the candle together create a sense of intimacy, pulling us into their sacred space. This interplay of light and focus engages us on a subconscious level, stirring feelings of contemplation and reverence. It’s a powerful cycle: the ancient flame, reborn in religious art, continues to ignite our spiritual imagination.