Maatschappij tot redding van drenkelingen, penning toegekend aan J.F. Zimmerman 1767 - 1797

Curator: Up next, we have a bronze medal awarded to J.F. Zimmerman by the "Maatschappij tot redding van drenkelingen"—the Society for the Rescue of Drowning Victims. Johan George Holtzhey designed it sometime between 1767 and 1797. What do you think? Editor: My first impression is… weight. Both literally, since it’s bronze, and metaphorically. The serious face of the figure and neat inscription convey a deep sense of duty. The shadow highlights the high-relief sculpting of the head which is a striking, classical profile. Curator: Absolutely, there's a lot of stoicism. The use of Neoclassical style speaks volumes; Holtzhey's decision links Zimmerman's heroic actions to a long tradition of civic virtue. The imagery of rescue and public service has ancient roots, doesn't it? Editor: Precisely. Consider the inscription—it immortalizes not only the individual but the values of the entire society. Medals are about memory. Each detail in the face, each carefully chosen word, aims to solidify the meaning of what happened. The use of language feels important here. It echoes other texts from the period associated with power. Curator: And how do you think it was intended to be viewed? These sorts of medals are obviously meant to be worn, publicly displayed—making visible the qualities society wishes to endorse. Editor: To be worn close to the heart, both physically and symbolically. I think the weight, that literal gravity, is an intentional reminder. It embodies responsibility and commitment to one's community. A miniature, portable monument, almost! Curator: Exactly. These little objects carry so much more weight than their physical presence would suggest! Thanks for bringing that to light. Editor: A pleasure, I find such relics endlessly fascinating—they act as mirrors reflecting cultural values across time. They give a sense of hope to our collective memories.