The Lion, from The World's Racers series (N32) for Allen & Ginter Cigarettes by Allen & Ginter

The Lion, from The World's Racers series (N32) for Allen & Ginter Cigarettes 1888

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drawing, coloured-pencil, print

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drawing

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coloured-pencil

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print

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impressionism

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landscape

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figuration

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coloured pencil

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watercolour illustration

Dimensions: Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm)

Copyright: Public Domain

Curator: Here we have a piece titled "The Lion, from The World's Racers series" originating from Allen & Ginter Cigarettes, dating back to 1888. Editor: First thought? Kinda charmingly awkward. That horse looks like it’s about to trip over its own feet! Curator: It does have an unusual quality, doesn't it? Allen & Ginter were known for these vibrant, collectible cards inserted in their cigarette packs, printed primarily using coloured pencil and print techniques. This particular one is part of a series celebrating famous racehorses. Editor: So, tell me, does "The Lion" live up to its name in terms of visual power? I’m not quite seeing a roaring beast here. Perhaps more like a…house cat in a hurry? Curator: (chuckles) Well, perhaps the name suggests something more about the horse's competitive spirit rather than its physical appearance. Look at the posture of the jockey, the landscape using impressionist influences, there’s a subtle energy implied in the positioning. Editor: I suppose I can see that. There’s also a very specific compositional arrangement, placing the horse on the lower-left, the figure centralized and the text information clearly contrasted at the upper right corner, each block playing into visual hierarchies. Curator: Exactly. What I find interesting is the blend of commercial purpose with artistic execution. These weren't intended to be high art, but they demonstrate considerable skill and reflect the popular culture of the time. Editor: And it’s amazing how they still hold our gaze over a hundred years later. It makes you wonder what folks will make of our cigarette pack inserts in another century... assuming cigarettes still exist! Curator: Perhaps the very absurdity and stylistic eccentricity of something like this keeps it alive and resonant. After all, art that doesn’t take itself too seriously is probably some of the most delightful. Editor: You know, now that I look closer, I can see a unique allure here. Thank you. I will make sure I’m not taking my everyday things for granted in case someday I'll appear in a museum!

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