Edward VII 1902

Curator: Let's turn our attention to a bronze relief from 1902. This is "Edward VII" by G.W. DeSaulles, currently held at the Metropolitan Museum of Art. Editor: It has an almost solemn quality, doesn't it? The way the light catches the metal, it emphasizes the linear quality, and particularly his profile. It is surprisingly powerful for a circular form, such as that of a coin or medallion. Curator: Absolutely. The piece clearly commemorates Edward VII's coronation on August 9th, 1902. What I find compelling is the production process itself—the bronze casting, the detailed relief. It was likely mass-produced, reflecting the monarchy's desire to connect with a broad segment of society through accessible art. Editor: True. From a formal standpoint, it's a striking image. Note the composition - the text almost forming a frame around the bust, the laurel leaves creating a sense of depth, all rendered with incredible detail given the scale. Semiotically, the crown is an obvious signifier of power, while the laurel hints at peace and victory. Curator: But think about who created this—the social class, their access to the means of production, their role in disseminating this royal image. The medallion becomes an artifact loaded with information about the relationship between ruler and ruled. Were these widely circulated, or kept within elite circles, reinforcing class structures? Editor: Interesting points! To build on your line of thought: it uses familiar motifs, rendered impeccably. From a design perspective, the success here is in compressing symbols and creating a distinct sense of the era while using the form factor as a medium for its messaging. Curator: Ultimately, it is more than just decorative art. This is a powerful object encapsulating a pivotal moment, brought to life by unseen labor. The materials themselves - where did the bronze originate? What was the impact of the coronation upon the British people and upon industry, worldwide? These questions underscore that such an artifact tells a multitude of stories. Editor: A fascinating case study of monarchical presentation. We have taken away, I hope, the power of this medal and the ability of art to act as a powerful, emotive marker in history.