Pattern crown of Queen Victoria 1837

Editor: This metal carving from 1837, "Pattern crown of Queen Victoria," made by Joseph Bonomi, depicts a regal profile. I find its compact, circular form rather striking. What resonates with you most when you view this artwork? Curator: The resonance is deeply rooted in symbolism and cultural memory. Consider the profile portrait, an ancient device connecting rulers to classical ideals, echoing Roman emperors. Note how that iconography gets reimagined through the lens of 19th-century Romanticism. Victoria isn’t simply a ruler; she is presented almost as a neoclassical goddess, an ideal, a symbol of Britain itself. Does the continuous star pattern speak to you? Editor: Yes, it's interesting that the stars surround the profile, perhaps signifying her celestial power or destiny? Curator: Precisely. The stars aren't merely decorative; they're an ancient symbol of guidance and divine mandate. The placement, encircling Victoria, suggests an aura or a divinely appointed role. Do you see how the "REG DEI GRA" abbreviation further cements the narrative? Editor: Yes, "by the Grace of God" --it reinforces the sense of divinely sanctioned rule. Curator: The year, 1837, marks Victoria’s ascension to the throne. Everything in this image is consciously constructing an idea of power, youth, and destiny, carefully calibrated for a rapidly changing world. Editor: I see it now! It's more than just a portrait; it's a calculated message about authority and the weight of tradition in a new era. I had not noticed how all the elements are supporting the general idea of a strong and almost godly ruler. Thank you for opening my eyes!