Portret van José María Queipo de Llano Ruiz de Saravía by Johann Renard

Portret van José María Queipo de Llano Ruiz de Saravía 1782 - 1814

0:00
0:00

engraving

# 

portrait

# 

neoclacissism

# 

aged paper

# 

light coloured

# 

old engraving style

# 

white palette

# 

history-painting

# 

engraving

Dimensions height 238 mm, width 174 mm

Curator: Welcome. Here we see "Portret van José María Queipo de Llano Ruiz de Saravía," created sometime between 1782 and 1814 by Johann Renard. The medium here is engraving. Editor: The pale palette lends this image a serene, almost ghostly quality. He seems caught between worlds. It's more muted than many portraits I've seen. Curator: The image's quietness is quite interesting when considered in light of José María Queipo de Llano’s political life. You see, the imagery avoids grandeur and opts for this modest display to broadcast more republican ideals, more "common man." Editor: Precisely! Note how his gaze seems averted, contemplative. Could this be a reflection of Neoclassical values? Simplicity of form suggesting the sitter's virtue and perhaps an association with civic duty? The stark composition amplifies this. What would it have taken to pull a portrait like this, what was its purpose? Curator: Indeed. We are looking at engraving: an economical process and accessible art for popular dissemination. The social and political undercurrents of the Neoclassical are at odds with the image's relatively plain production style. Who created it, where and for what specific reasons? These elements of material circumstance seem at once integral, yet so ordinary and almost mundane. Editor: This image is about much more than the sitter: the power of engraving democratized visual representation during revolutionary periods. Its accessibility allowed this new imagery of "republican leaders" to reach the hands of people. It suggests so much more in the grand scheme of how people saw and used this image and others. Curator: Fascinating. A portrait, an object with such historical connotations yet available on a newly industrialized level! The subtle symbolism meets the burgeoning materials, which offer access and context! Editor: Quite. It leaves me thinking about art’s ability to embody contradictions. Curator: And about how an artwork's reception evolves far beyond its creator's intentions. Thank you for your thoughts.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.