Charles Cottet painted this self-portrait in oils, capturing himself in the attire of his time. The top hat here is more than mere fashion; it's a symbol loaded with historical weight. The hat is reminiscent of a gentleman, signalling social status and a connection to urban life. But if we look closely, a visual echo resonates with images of undertakers. Consider how the somber figure of death is often depicted cloaked in black. The hat might be read as a memento mori, a reminder of the ever-present shadow of mortality. The top hat is a kind of mask, transforming Cottet’s identity. It's a potent symbol, demonstrating how cultural forms are constantly reincarnated, taking on new life across time. Just as the top hat can signal prosperity, it also reminds us of the inevitable passage of time.
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